Evan Porter
Speciality:
Barber / OwnerAbout:
Evan began his barbering career in Salt Lake City, Utah in 2015 at The Barber School. Learning from traditional barbers, he has worked in a variety of shops ranging from traditional to modern. He has taken multiple continuing education classes including studies at the Toni & Guy Academy in Dallas, Texas, and an iconic barber school created by Reuzel in Rotterdam, The Netherlands. Evan has been a regional educator for Depot Male Tools for the last two years and has taught multiple classes across the state. Evan brings consistent service and quality to The Avenue and leads our team to be the best they can be. His active role as an owner is progressive and inspiring. He specializes in short to medium length haircuts, beard trims and straight razor shaves.Biography
Born in Mendrisio in 1943, Mario Botta graduated with a degree in architecture from IUAV in Venice, working with Le Corbusier and Louis Kahn. Strongly influenced by the two great masters, his architectural vocabulary evolved to design pure imposing geometric forms. Brick is a key material in his poetics, used as a covering material to underline the severity of the volumes he designs.
Every one of his works is covered with a mantle of sacredness, through which he demonstrates the importance of architecture as a means of expression of human memory.In 1969 Botta opened his own practice in Mendrisio and began a busy career designing highly significant, exemplary works of architecture, including several prominent religious buildings.
Activities
- Luckily nobody was in the sports arena at the time.
- Architects design all kinds of buildings.
- A school will need many medium-sized rooms for classrooms.
- Travelling regularly to building sites.
- The building was a sports arena with a large, curved roof.
- Another architect might like to design buildings that look sleek.
Professional Skills
Diversity of Experience
The client, a young video maker with difficulties getting onto the housing ladder due to Dublin housing shortages, was given the opportunity to build a house in the back garden where once stood the tree house he used to play in as child. The awkward triangular shape of the site generated the pure triangular plan of the house surrounded by three gardens; an entrance garden to the north, a breakfast garden to the east and green garden to the south.
One example is the office building in Hochstrasse (1988), where “the language of neo-modernism gives way to a minimalist expressive system”. This was followed by a series of projects (the Fides Building, Building in Picassoplatz, SBV Training Centre) in which the tension of construction (implemented primarily through particular ways of working with windows and doors) reveal the studio’s focus on plastic and morphological issues.With Italian influences (A. Rossi, G. Grassi), Diener & Diener’s urban projects aim to “give single large, anonymous constructions a metaphysical presence”.
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